Schott Flute Music By Female Composers - Flute And Piano

33.8 EUR
13 Pieces for Flute and PianoInstrumentation : flute and pianoDescription : In this collection, Elisabeth Weinzierl-Wächter and Barbara Heller present works for flute and piano by 13 female composers: starting with the 18th century, with sonatas by Anna Amalia von Preußen and Anna Bon di Venezia, via the 19th century with variations by Blahetka and 'Sérénade aux Étoiles' by Cecile Chaminade, and via works by Mélanie Bonis, Lili Boulanger, Germaine Tailleferre to the present time with works by Barbara Heller, Gloria Coates, Dorothee Eberhardt, Caroline Ansink, Annette Schlünz and Christine K. Brückner.Contenu : Preface - Notes on the Composers - Anna Amalia von Preußen (1723-1787): Sonate F-Dur für Flöte und b.c. - Anna Bon di Venezia (um 174 - nach 1767): Sonate G-Dur für Flöte und b.c. op. 1/6 - Leopoldine Blahetka (189-1887): Variationen für Flöte und Klavier op. 39 - Cécile Chaminade (1857-1944): "Sérénade aux Etoiles" für Flöte und Klavier op. 142 (1911) - Mélanie Bonis (1858-1937): "Pièce" für Flöte und Klavier op. 189 - Germaine Tailleferre (1892-1983): "Forlane" für Flöte un Klavier (1972) - Lili Boulanger (1893-1918): "Nocturne" für Flöte und Klavier (1911) - Barbara Heller (geb. 1936): "Parlando" für Flöte und Klavier (1993) - Gloria Coates (geb. 1938): "Phantom" für Flöte und Klavier (1988/24) - Dorothee Eberhardt (geb. 1952): "Träume" für Flöte und Klavier (22) - Caroline Ansink (geb. 1959): "Epitaph für Marius" für Flöte und Klavier (22) - Annette Schlünz (geb. 1964): "tastend, tränend" für Flöte und Klavier (21) - Christine K. Brückner (geb. 1967): "Tsetono" für Flöte und Klavier (24)Date de parution : 31/03/2008Nombre de pages : 152Langue : German - EnglishFormat : New Edition portrait

Barenreiter Brahms J. - 2 Rhapsodies Op.79 - Piano

11.6 EUR
Brahms’ vivacious “Rhapsodies” op. 79 of 1879 are among his most frequently played works. He had a hard time finding a suitable title for them, vacillating between “Piano Piece”, “Capriccio” (No. 1) and ”Caprices”. His hand was forced by the dedicatee Elisabeth von Herzogenberg, who welcomed the pieces with the salutation “Ye (to me) nameless ones in the nebulous garb of rhapsodies”.Now Brahms expert Christian Köhn is presenting these popular pieces in an up-to-date new edition that remains faithful to the sources and reflects the latest findings of Brahms scholarship. In addition to the informative Preface the edition offers enlightening details regarding performance practice of Brahms' day. With a reader-friendly engraving, comfortable page turns including a fold-out page and fingering where required, the edition meets all the needs of today’s performers.